Thursday, December 30, 2010

My Sister's Quilt

Karen's Quilt

Summer a year ago, my mother and I decided to make a quilt together for my sis, Karen Carey.  We picked brighter colors for the top to match the bedroom decor, and a neutral back fabric.  I was to make the top, and Mother planned to do the quilting on her home sewing machine.  It turned out that she got ill at the end of Summer, and then didn't have the energy to quilt it.  After Mother passed away, I found it still in the sack in her sewing room.  This year, I finished it, with nice pure cotton batting, as a final gift from our mom and from me.

Tuesday, December 28, 2010

Daphinous Buttercream Piddlewhiskers Kitten Born December 7, 2010

A few days ago, I posted one pic of this little sweetheart kitten in blogging about her mother, but now she gets a blog article of her own.  She's the most gregariaous of the Piddlewhiskers babies.  She was born December 7, 2010 and opened her eyes just about December 21, 2010, which was the date of the Winter Solstice and Lunar Eclipse.  Who would not want to be bright-eyed and bushy-tailed for an occasion like that!  A desireable breeder Cream Selkirk Rex, she carries her mama's genes for agouti, red and black, dilute, and I think shading.  (If smoke is recessive and takes 2 carriers, because she has a full-blood sister of shaded smoke).   She's the beauty.  If you are interested in having her for the Selkirk Rex breeding program, please do contact me.   Both her British Shorthair sire and Selkirk Rex mother have amazing pedigrees to multiple champion blood lines, and she has the most amazing type, disposition and form.  Right this moment as I write, she is sleeping in her mama's kitten nest (a big wooden treasure chest by my desk), yawning and having kitten dreams while she grows. 

Monday, December 27, 2010

Smokey Jasmine Piddlewhiskers, Blue Selkirk Rex

Jasmine Piddlewhiskers, Smoke Blue Selkirk Rex, Born December 7, 2010

This darling little baby girl was born last and is the sweetest and most delicate kitten of Gracie Piddlewhiskers' three babies.  She's a smoke.  That word describes a cat whose fur is dark at the tips and light at the base close to the skin.  When you run your finger across her fur from back to front, you can see that her base color is lighter and the tips of her fur are darker.  She is just way barely opening her eyes in this pic.  Yesterday (Solstice and eclipse) she began to open them.  Here she seems to be really concentrating on the bright sheet she can see.   Jasmine is not as stocky and big as the other two girls, so she might be less 'typey.'  The idea in the Selkirk Rex breed, is that Selkirks would be outcrossed with other pedigreed cats so that by 2015, they would have more genetic diversity and also look thick, cobby and plush.  Jasmine is 100% official Selkirk Rex breed, but her genes include ancestors of Persian, British Shorthair, and Exotic.  Today, Selkirks are being distinguished as Long Hair, Short Hair, Straight and Curly.  Not sure but she seems at this time to be a short hair straight.  She is for sale, $250 and when 12 weeks old she can go to a new home as a neutered family pet Selkirk Rex with papers. 
We'd like to feel assured that she will get a great lifetime home and be treated like royalty.  When you choose a kitten, you are adding a new family member and we want to make sure that it is a totally positive relationship all the way around.  If you are interested in adopting her, reach ktibbits@lrec.org . 

Sunday, December 26, 2010

Lilac Selkirk Rex


Lilac Selkirk Rex of Piddlewhiskers & Snugglesworth
While searching for the time to launch our cattery website for Piddlewhiskers & Snugglesworth, here is an updated pic of this sweet little female Selkirk Rex lilac.  We're assuming she is a female, that is.  And we are also assuming she is a lilac, for she has the soft wispy color more like her father who is a lilac British Shorthair.  Her new family can give her her real official registered name, and for now I am informally calling her Lilly Piddlewhiskers.  Her registration name will begin with Piddlewhiskers.  She is beginning to open her eyes (12/22/2010).  She is the curious one, who approaches everything to investigate, on wobbly legs.  Well, it is more like she raises up and falls forward or rolls to the side.  I think she will be walking soon.  Her nose is dark purple but her paw pads are bright pink.  If she were a brit, that would meet the lilac color category at TICA (The International Cat Association, Inc.).  She is officially a Selkirk Rex, or will be when the litter is registered.   She has her daddy's smile.  And she has thick long, long whiskers like her father, too.  Maybe her name should start with an M because she has an M on her forehead.  She carries for dilute, smoke, red, black and white, agouti.  Her ancestors are Brit and Selkirk, Persian and Exotic... and of course a famous ole black and white curly barn cat named Oskar No-Face Kowalski.

Saturday, December 25, 2010

The Consolation Prize - Potato Quilt

The Potato Quilt
Just when I think my creative energy is exhausted, out of nowhere comes some silly inspiration.  I had one last Grandchild quilt to make.  The 4 granddaughters and one grandson of Bertie Carter, during her lifetime always spent Christmas Eve at her house and this is their first year that she will have been gone at Christmas.  So, I set about making 5 quilts (one for each) with no plan for which grandchild would get which quilt.  Katy, my daughter came up with a plan:  We'll play board games and the winner will get to choose a quilt, then the second winner, etc.  What is the incentive to go beyond the usual deference to each other, in politeness?  The Potato Quilt!  Who would want the last remaining reference to grandmother to be in the form of a quilt that has potatoes on it?  Maybe someone.... or then again, maybe it will be the last place consolation prize... or the quilt of any child who fails to attend.  Who would say we have not kept our sense of humor?

Friday, December 24, 2010

Tibbits Blue TieDye Quilt

Here's a joyous riot of colors in this quilt made for my husband's father and step-mother.  It features a lot of  fabrics from Keepin U N Stitches at Jay, Oklahoma and the centerpiece is one of my hand-dyed Kona panels.  I machine-stitched the strip pieces and applied custom machine quilting, including a few mysterious words in the stitching.... such as the fact that it was quilted on Solstice 2010.  If you are in this geographical area, rent the longarm machine at the quilt and fabric shop above, for about $10 an hour to do your very own machine quilting--- you can buy back and bat there, and run your backing seam.  Then Keepin U N Stitches will provide you with thread from their choice or you can bring your own tread and bobbins if you have something particularly unusual in mind. 

Thursday, December 23, 2010

Dye Crystals

Navy Dye Crystals
I left some navy dye in a cup for several days, and it decided to grow crystals, right up the side of the plastic cup and out at the top.  Doesn't it look like cedar branches?  One of many mysteries of the dye studio.  Crystals are formed as the chemicals align at a molecular level.  If you make a pot of dye and it doesn't arrange its own molecules into crystals, chances are that you have either kept it too long or don't have the right chemistry going on.

Wednesday, December 22, 2010

The Good Mother

Lyriccurls Gracie Piddlewhiskers, Selkirk Rex
Gracie's litter of 3 chubby baby kittens were born in December, and she seemed surprised when she had them, but has taken to motherhood with amazing skill.  This pic is rare because it shows her curly whiskers.  That's how you know a Selkirk curly at birth-- and one of her 3 babies does have the characteristic curly little whiskers.  Two, we think, will be "straights" or darling fuzzy kinky pet kittens but just not so curly that they'll be suitable for carrying on the Selkirk qualities.
Buttercream curly female.  Buttercream isn't an official breed quality, but it best describes the colors of this sweet pudgy lil female, and she has the curls.   She is Gracie's special one, and almost intuitively Gracie holds her close under the paw.  I think they say that Tomcats sometimes try to seperate away the kittens that they think are not their own.  The time will come that we will have to part with these darlings, but for now we're delighting in having a kitten family.  She is going to have Gracie's prominent cheeks and pointed chin.


Tuesday, December 14, 2010

Announcing Selkirk Rex Kittens

On December 7th, 3 new kittens were born in our family.  The mom is Lyriccurls Gracie Piddlewhiskers, a registered Selkirk Rex.  The father is Route 66 King Arthur of Piddlewhiskers & Snugglesworth.  The first was the blue cream ticked or spotted  agouti.  See how the one on your right has a bicycle handlebar light mustache?  It is probably a girl.  Next was a cute little curly cream, which looks like Gracie's sister Daphne.  The youngest was this little dark smoke, shown on the left.  Before this one was one stillborn with long smoke blue straight fur.
I'm writing this on Day 3.  Each kitten is developing a unique personality, or perhaps already has a unique personna that we're beginning to notice.  The cream-colored kitten  is Momma's Favorite.  Gracie holds her between her arms when sleeping, gently, warmly and protectively.  The spotty blue cream one has a big wide head like Arthur, and will carry more of the cobby type of a British Shorthair.  This is a characteristic that breeders are encouraged to develop by mating Selkirks with Brits.  And the sweet little smoky dark one is the most easly satisfied.  At the moment it is having a bodacious milkfest, having awakend from a nap underneath the creamy kitten. 

They seem to be interested in seeing the world but just can't quite open their eyes.  The first day, their little ears were pinned down and now those cute ears are 'flowering'  but still look like the ears of an American Curl.

Gracie is a Selkirk Rex, registered with CFA.  Her heritage traces back to Oscar No-Face Kowalski, the first generation from the first curly cat:  Miss DePesto.  Gracie's sire is Merlin (Kurlipurrz Merlin), a Blue Silver Tabby Longhair.  He was named #1 in the TICA Southwest Region as a kitten.  Gracie's mother is Kurlipurrz Josie Blue Belle.

Arthur is a Lilac British Shorthair and is registered with TICA.  Piddlewhiskers & Snugglesworth, our Cattery is also registered with TICA.  TICA stands for The International Cat Association.  Arthur's sire is Alcmena Smokey, and you can see his picture.   Arthur's mother is Anahata Evelin (known as Misty to her family) and her baby pics are here.  You can see her pedigree, too.

These kittens will be for sale. Their gender has not yet been determined. The cream curly kitten will probably be $1,200, including breeding rights. The "lilac" blue cream will be about $800, including breeding rights if curly, or $250 if straight. The sweet darling little smoke will be a precious pet, neutered, about $250.  It is customary to reserve a particular kitten before it reaches 12 weeks of age and can go to its new home.  We want to make sure that our kittens will have good homes, because they are our family members. 






Monday, December 13, 2010

Cherokee Syllabary Quilt, Quilted in Cherokee Syllabary

I may have posted this quilt before it was quilted.  What's unique?  The color hand-dyed panels contain Cherokee syllables made with batik wax or some discharge process.  But totally unique is that I've done what I believe to be the first modern-time machine quilting using sometimes Cherokee Syllables in the background, written in thread.  Have you ever seen anything like that?   It is for sale at my Etsy shop.

Sunday, December 12, 2010

Quilter's Sunset

Working on getting a bunch of memory quilts ready to give for Christmas from my father and I, I've been keeping the trail beat down between Stilwell, Oklahoma and a quilt shop in Jay, Oklahoma.  It is about 58 miles one-way to go up there and spend a day working on a rented long-arm quilting machine.  Despite the drive, it has been worth the trouble.  I have saved my father a few dollars that we'd be paying out for a machine quilter's time.  I have been able to personalize the quilts by freehanding some dates and other secret messages into the quilting thread patterns, and... I was privileged to catch this gorgeous sunset on camera.  While driving.  I took a series of pics, as the sunset changed from moment to moment.  Here I just hit it with one lil edit fature.... blacking out some headlights at the bottom.  All of the sky colors are au naturale.

Saturday, December 11, 2010

Eye Heart Tahlequah Quilt

Eye Heart Tahlequah Auilt is a fun thing.  It has big stripey sides, and the panels are hand dyed and sometimes superimposed with applique confetti that is also hand dyed.  In places you will see distressed screenprint "Eye Heart Tahlequah" designs.  I was hoping to do it using the Cherokee letters for Tahlequah, but there was some discrepancy between the pronunciation of the word Tahlequah in Cherokee, and the way it is formally written, such as on the old plat books of Indian Territory days.  Turns out that recently the University (NSU), Tahlequah and Cherokee Nation have partnered in some promotional advertising that answers the question.... the correct protocol will be to use the historical spelling in Cherokee Syllabary, rather than a literal translation.  It suggests that perhaps over time, the way we say Tahlequah has changed.  Tah Lah Quah is how one would pronounce the city's name, according to the plat map spellings when the city plat maps were filed.  Today when we pronounce it in English, it sounds like like Teh Leh Quah.  So, I wonder if our ancestors used to put a glottal stop after the first syllable?  If so, the original pronunciation was more like Tot Lah Quah.  Fascinating.
Today, check out my Island Retreat Etsy Shop for a boatload of recent quilt listings!

Friday, December 10, 2010

Lil Cherokee Stars Quilt

Little Cherokee Stars quilt is one of my most unusual quilts.  It has the feel of an informal Gees Bend or Outsider quilt because it has very little intentional framing.  I made it using the san blas style of underlayment applique, with informal Cherokee 7-point stars going up the middle.  And the copper and gold fabrics are vintage 1960s shirting fabric-- the kind that looks copper from one direction and green if you look at it from another direction.  It has been spoken-for and will go to a member of the Oklahoma Food Cooperative.  It also has a lot of hand-dyed fabric which I made early in my learning journey.  I practiced for years on recycled sheets before ever aspiring to use new fabric.  When I finally took the big step, I was amazed at how pure, rich and deep the colors now were.  I learned from it that after many washings, fabric fibers take up a lot of chemicals like soap and bleach, which keep the dyes from bonding uniformly, smoothly on every little molecule, and this you get a fainter tiedye when recycling.  The two iris panels are hand dyed by a couple of tiedye and hand painting artists in Australia who do gorgeous fat quarters... which are ever so slightly not the same size as American fat quarters.  They use a light grade of muslin.  I can only imagine what beautiful work they could do if they actually used fine cottons.

Thursday, December 9, 2010

Swirly Nana Pop Art Quilt

This "Swirly Nana" Pop Art Quilt has a lot of optical illusion in it, and it is one in the series using my mother's fabrics for a log cabin square in the center.

Wednesday, December 8, 2010

Little Jungle Nana Quilt

Little Jungle Nana Quilt is one in the series of quilts with a log cabin square center made of my mother's diverse sewing stash.  It has a jungle border on the sides with some sort of plant in the lily family.  Perhaps it is pitcher plants.

Tuesday, December 7, 2010

Confetti Quilt Top

Confetti Quilt Top is one of the tops in the Nana Series.  The centerpiece "log cabin" pattern is made in part from Nana's fabric stash.  This one is pictured not yet quilted.

Monday, December 6, 2010

New Art Series

Dinner Napkin or Kitchen Towel


The good news about December is that it is my most productive month for Fluffy's Compleat Boutique.  The bad news is that I may not be able to write a daily blog.  I'll at least try to post a fiber art picture each morning, and I hope to be back in full swing with full blogs from time to time.  This morning's image is a dinner napkin.  I love to make these because they're perfectly flat and symmetrical so it is possible to get a lot of feathery dye migration.  This one is going with 4 other different ones of various styles, to an Etsy customer.  I'm also making some for Oklahoma Food Co-op customers and as giveaways for the workers at OFC Central Processing in OKC.

Thursday, November 25, 2010

Imaginarium, a Scrap Baby Quilt

Imaginarium, a charm quilt for baby

This is a baby quilt, made from leftovers from a quilt which I am making for myself.  It is a little fancier than most charm quilts.  Charm quilts are named for their 'charm' because they are made from scraps which sometimes do and sometimes do not blend well.  Charm quilts tend to be more funky and campy than their sister-quilts-- matched piece quilts.  A unique feature of this quilt is that it has some of the prairie points and flat trim from the big quilt, and it adds interest and detail. 

There are some jokes or funny parts to this quilt that will make you laugh if you're a quilter.  I'll let ya in on the secret.  A beginner quilter might make borders such as the stripe and print here, and might attach one edge backward or going to same direction as the other side as I have done.  Experienced quilters would never do that because it violates the rules of symmetry.  However, Fluffy I am and Fluffy I do, so here the borders on both sides are going in the same direction.   It was a conscious choice. 

Another quilter's joke is that in places you'll find prairie points or flat trim, and not in other places that one would expect to see the same thing.  So happens that I made up some extra length of these and attached them to sashing, only to destine them to the cutting-room floor. 

Here I have followed the old legal maxim of equity, known to law students throughout time from Black's Law Dictionary (or Prosser on Torts) "You take your victim as you find him."  In law, it means that a tort defendant is liable for the outcome even if a tort Plaintiff or victim is extraordinarily impacted.  If you trip a waiter with brittle bones simply in revenge because of poor service, you must pay the price of the damage you do, even if an average waiter would not suffer greatly from being tripped.  Likewise, I've 'taken my victim as I found him' in my scrap pile.  Some strips with Prairie Points don't have a full row.  Well, tough cookies.    My goal was to quilt up that mess in the floor.  The result is that you have a few unexpected things happening on this quilt.

This juvenile quilt top is for sale as a top ($100) or fully custom machine quilted, batted and backed with the contrast or match fabric of your choice ($300).    

Wednesday, November 24, 2010

Pumpkin Cheesecake with Gingersnap Crust

This recipe is adapted from one I found at Allrecipes.com.  Did you know that the old fashioned way to cook a pumpkin is to put it in the oven?  Just rinse it, and put it in the oven, about 350 for an hour or so.  This is also a good way to cook squash.  No fussing over cutting... and this method gives no worries about some of the pumpkin being too done while other parts remain uncooked.  In about an hour, go back and turn it off.  Leave it there.  Let it cool for an hour or half a day.

You can make your own pumpkin puree, and it will taste fresher and more pumpkin-y than canned pumpkin (although the latter is really convenient and less messy).   I use a TV tray for cleaning pumpkin, because it might be too messy for a regular cutting board.  Just slice it into fourths, and use a spoon to scoop away the seeds and strings.  Then pare the skin off easily with a knife.  Cut into chunks.  If you have a food processor, you can whiz it, but don't add liquid.  Another way to puree the pulp is in a mixer for a long time. 

Gingersnap Crust:
Crush and whiz (in a food processor or blender) 1/2 cups of gingersnaps and 1 cup of graham crackers.  You want a fine mix, and I sift mine thru a sifter, because the gingersnaps sometimes don't chop up.  Add 2-3 tablespoons of sugar, and 1/2 to 3/4 of a stick of butter.  I like to put my butter in the microwave for 15 seconds because I rarely have it at room temp when I begin.  This, you press into the bottom of a springform pan.  I don't have a springform pan, so I use a square 9x9 pyrex glass baking dish, a round custard dish or a 9x14 glass pan.  Just put it back in the fridge till you add the filling, and it can be hardening.

Mix 16 oz of cream cheese till creamy, and add 1/3 cup of brown sugar.  Here's where my recipe is a jazzed-up version of the online classic:  While my cream cheese is getting fluffy, I use authentic whole spices that I grind, crush or grate, myself.  I just put those on top of  the pumpkin puree that I will be adding.

I use about a teaspoon of cloves, taking just the buttons off of the top.  (Toss the 'forks' into your simmering potpourri, as they are tough.)  I crush them on an old Cherokee grinding rock using a round Cherokee stone that I found in the woods.  You could use a bowl and pestle. 

I use about a tablespoon of cinnamon that I got when travelling in the Carribean.  If you go South, don't miss a chance to visit a grocery store or town marketplace somewhere like Montego Bay.  You can get amazing fresh spices, whole, and they'll keep for a year or more if you don't refigerate them and leave them whole till ready for use. 

I crushed a fourth of a nutmeg.  That would be about 1/2 teaspoon.

I used fresh ginger root, grating it on a grater... about a tablespoon and that is a lot.

Add a cup of pumpkin puree and these spices, scraping down your bowl edges to incorporate all the cream cheese.

Add 1 teaspoon of vanilla.  Or, you could also use a spoon of Frangelico at this step instead.

You'll get a creamy mix, richer than pumplin pie mix.  Gently pour it into the crust, and pop that into the oven.  Turn the oven to 350.  Add a big pot of water to the bottom to keep your cheesecake moist and avoid cracking.  Cook for 30 minutes or until the edges are puffy and the middle still jiggles.

There's a trick here:  You want to keep your oven steamy, so don't be opening and closing the door a lot.  Treat it like a souffle.

After 30 minutes, turn the heat down to 325, and set the timer for 15 minutes.  Make this topping:

1 cup sour cream
1/4 cup sugar
1 tablespoon Frangelico

You can use Vanilla if you don't happen to have Frangelico.  (Frangelico comes from the liquor store and some people use it as a coffee flavoring.  It is rather expensive, and has a flavor of hazelnut and berries.)

When your topping is made, gently take the cheesecake out of the oven and pour this evenly over the top.  Avoid moving it around with a spoon if you can, so it won't break into the cake which is still cooking.  Then put it back in the oven, turn off the oven at the end of the timer above, and just leave it there for an hour, in the oven, still cooking but at an ever-lower temp.  After an hour you can take it out, insert a knife around the edges so it will shrink without splitting, and put it back into the cooling oven until both oven and cake are at room temp.

Now, for the hard part.  Cover it with foil and stick it in the oven to chill and set up overnight.  Next day, Eat It.

This is a great upscale recipe for holiday visits, but the cream cheese makes it dangerously rich and fattening.    Once in a while, it won't hurt ya.  Enjoy!  And do post any variations that you try.

The Talking Potholder

"Ouch, This is hot!" said the talking potholder, when she used it to take nice cinnamon bread out of the oven, so it could be drizzled with orange glaze and a handful of chopped almonds.  But really, the Talking Potholder didn't mind too very much, because after all, being a potholder was the only life it had ever known.

Tuesday, November 23, 2010

Stripey Potholder with Pink

Stripey Potholder with Pink Thingy
Potholder of the Day Club here, delivering your Potholder Eye Candy for Tuesday November 23rd.  For a week now, I've been featuring my hand-dyed funky potholders.  These are little utilitarian jewels of art, ready to take a center stage in your kitchen.  Or, if you kitchen doesn't have a stage in it, then I guess you could hang one of these on the Spoon Drawer Handle.

Monday, November 22, 2010

One-eyed Panther Butterfly Lemon Berry Potholder

I guess this potholder sorta looked like a face, so I added an eye.  The berry-colored fuschia is hand-dyed fabric, and the whole shebang is lined with not only nice cotton but alsy a heat resistant barrier.  You cannot tell it, but it is oversized for easy cookie retrieval.  A potholder in the series called:  Potholder Series.

Sunday, November 21, 2010

The Potholder Series: Moccasin Nose

The silliest potholder you've ever seen is this "Moccasin Nose" potholder, made of hand-dyed fabric (by me) and then sillied-up with a reproduction Depression-Era flour sack print. So atypical that Google will have a hard time figuring out what advertisements to put on the page with depression-era moccasins, noses and hand dyed fabrics.  The Potholder Series continues, so stay tuned for tomorrow's mystery.

Saturday, November 20, 2010

Color Burst Paris, a Funky Potholder

Today's wee little piece of fun artisan potholder is called Color Burst Paris.  Or, if you wish, Colorburst Paris.  The Paris print at lower left is a reproduction fabric from the Drepression Era.  And that gorgeous piece of color in the middle is one of my hand-dyed pieces.  These are for sale at my Etsy store, so stock up in time for The Cooking Season.

Friday, November 19, 2010

Potholder Of The Buena Vista Social Club

Here's a cheery unique potholder from hand-dyed cotton and lined with heat-resistant batting, for your next meeting of the Buena Vista Social Club.  But you do not have to play salsa in order to enjoy it. 

Thursday, November 18, 2010

Blue Pool Potholder

Today's delicious lil artsy potholder looks like a black and white striped air mattress on a cool pool.  Visit my Etsy store:  Island Retreat to see more.

Tuesday, November 16, 2010

The Potholder Series



Someone has asked to see my potholders.  Many are online at my etsy shop.  For the next few days, the daily blog will be simply Potholder of the Day. 

Monday, November 15, 2010

Steam Punk Quilt Top


Today's post is a fun quilt top that I made in late October.  I found steam punk image fabric and designed the remainder of the quilt around these nice pieces with themes of time and travel.

I was attending the Governor's Water Conference and took my sewing machine, so I would have something to do in the evenings.  When I travel without Dennis I miss him, so quilting is something I can do while I am alone.

This fun quilt is just a top thus far, and can be made up with any solid or print backing in Standard, Queen or King for $400.00 complete.  It can be custom quilted with names, initials, secret messages and the like, in any color(s) of thread.

Sunday, November 14, 2010

Riley White Painting - Jingle Dancer

Riley White Jingle Dancer

Today's post is just a memoire.  It is of a treasured painting that hangs on my office wall.  Here I have taken a digital picture of it, and cropped away the frame.  You can see it is slightly distorted because it was photographed at an angle.  I did not remove it from the wall to snap a pic.

It is special for a couple of reasons.  I just like it.  Riley White was my father in law and I keep this painting for my son Justin, so he'll have one of his grandfather's artworks.  I also like the colors and the iconic historical angles... which to me are evocative of the 1930's and 1940's public art industrial movement paintings.

Riley White was a contemporary (age mate is perhaps a better term) of Woody Crumbo and the Kiowa Five.  One or more of his works are at the Museum at Bacone.  He was a prolific painter and his works are still found from place to place.  I think this one was either purchased at Cherokee Gift Shop or gifted from a co-worker, Mrs. Louise Covey aka Louise Ballard.  She taught Home Economics at Sequoyah High School and in the very early 1960s my mother was her intern teacher at Sequoyah High School in Home Ec.  Riley taught Arts and Crafts at Sequoyah High School and many gifted artists still living were his students.

Saturday, November 13, 2010

Sunny October Saturday

Today's post is just a nice photograph of my favorite close nearby side yard landscape--- the pond by my house.  It is from a sunny Saturday about 2 weeks ago.

Friday, November 12, 2010

Kai's Fuzzy Quilt

Here on his daddy's Ju Jitsu mat, is a fuzzy soft quilt made for Kai Brinkley.  The fake fur looks wrinkled, but its actually colored and napped like that.  This was a joyous fun campy utility quilt, made in the spirit of grandmothers of days gone by, who would piece together warm flannel scraps with no particular pattern.  This one, I've seamed on the outside.  After washing, these seams will fuzz up and add a bit of loft to the quilt.  Then if it is laid on Baby Kai with the cozy flannel side down, it will give a little bit more room for an air layer.  It is larger than crib size, smaller than a sofa throw, and designed for playing on the floor or snuggling at night.

Note:  Shopping for fabric I noted that 3 of the most popular main chain stores are selling novelty prints with childrens' themes in fabrics that say "Not suitable for sleepwear."  You may have to look on the bolt end, the selvedge or inside the flat card to find the warning.  Don't use such flannels for quilts because they are flammable, even if these stores seem to theme the flannels for childrens' bedwear and bedding.  In my opinion, these should be removed from the shelves or the warning should be prominently displayed.

Thursday, November 11, 2010

Making Flat Trim

Flat Trim is a dressy, crisp 3-D insert that will give your quilt some interest.  It looks hard to do but it is easy.  See my hand under this striped piece?  There is also a flat trip piece on the other side of the turquoise strip which can be lifted up.  It is as easy as Prairie Points, only easier.  Here's how:

1.  Get a length of fabric and square it up by doing this:  Snip and rip off the selvedge.  Now go to the fold and snip it about an inch from the edge.  Rip.  This should peel off any bad angles.  You can always do it again if you can't rip all the way to the end.  Tip:  Always rip fast and hard with plenty of Oomph.  This will prevent warping the weave.

2.  What Size?   Whatever size you want your trim to be, double that and add the width of your seam.  So, if you want a 2 inch trimpiece, make each strip 4 inches wide plus as wide as the seam will be.

3.  Measure, Rip.  Measure your distance at the fold.  Snip in an inch.  Measure your distance at the fold.  Snip in an inch.  Repeat.  I just save the last strip in my 'bone pile' as it may be crooked, yet I have it if I am running shy.

4.  Seam Them.  Gather up all those strips and sew seam, sew seam, sew seam.  I don't even bother to cut the thread each time.  I cut all threads after I've sewn the seams.  See?  That's how they do it in the factories, so they don't spend so much time.

5.  Fold and Iron.  Or Not.  I am not much of an ironer.  So, I just foldover the OUTSIDE showing, and zigzag down the whole long snakey trim piece, at the edge.  Just like store-bought!

6.  Now you're ready to sew your trim to the border.  You can either take a minute to actually sew it on before sandwiching the seam, or try to hold it all together.  Tip:  If you are just sewing some lightweight piees together, skip sewing down the trim as a first step and go straight to the sandwiching.  But if you are working with 2 pieces of vastly different weights (ie, a big quilt top you have fabricated already), then sewing the trim as a first step will give you a neater outcome.

Thereya Go!  These flat trim pieces are so tailored and smart-looking for a custom artisan look.  And they are easy enough to make, that they're great even for a beginner's quilt.

Wednesday, November 10, 2010

How To Make Prairie Points


Prairie Points are these showy little triangles peeping out of the seam on a quilt.  You'll find them most often along the edges of quilts.  Unliked scalloped edges, these are easy to make.  Here's how:

Select your fabric.  A dramatic contrast or stark stripes might give your project some punch.  If you choose something that 'matches' too closely, your prairie points may seem like a lot of work for very little visual impact.  (Here, I've used birch tree trunks, with batiks and a festive print.)  You can buy and yard and go back if you need more. 

Snip and rip off the selvedge piece with the fabric's name on it.  Now rip a straight line...  You do this by finding the fold of the fabric, and snipping about an inch in from the edge.  You will rip it from the middle to the edges in both directions at once.  Now you have a true straight line.

Cut Strips... Using a tape measure or the ruler on a cutting board, snip in about an inch on the fold, every 4 inches.  When you get to the last one, it might not be square if the fabric was not cut precisely, so I always throw the last piece into the 'bone pile' in my sewing room floor.  You will have it there if you need it, and if not you may use it later for potholders or pillowcases.

Make the Strips Square... Lay your strip longwise and make a snip every four inches, then rip each into a 4 inch square.  Tip:  If you are precise, lay 2 or 3 strips atop each other and cut multiples all the way thru instead of ripping. 

Stack and Fold... Stack them up on your ironing board.  Get one.  Fold into a triangle.  Fold into a triangle again.  Iron.  Stack 'em in a finished pile.  Repeat till all are done.  Tip:  If you use a stripe, you *might* prefer to fold them with the fold going the same direction.  If you're making horizontals and you get a vertical, turn it over.  Its magic!

Zigzag them Down... Sew these down onto your sashing or border strip using a zigzag stitch.  You'll hide that when you sew the quilt top seam.

Finish and Admire... Now lay your border strip under the quilt top.  Eleanor Burns, author of Quilt In A Day Series, gives this tip and it makes your project move more smoothly in the machine.  Quilt your regular size of seam.

I love these!  This is my first quilt with Prairie Points and they're so easy plus fancy.  When you quilt your top, you may wish to seam along whichever side you wish in order to lay them up toward the top of the bed, or down toward the edge of the quilt.



Tuesday, November 9, 2010

Tuscan Memories


Here's a sassy bright big quilt top that I made to match those new plaster and glaze terra cotta walls.  And its easy.  Pick out 9 pieces of fabric that pick up the colors in your room. 

Tip:  Shop some place like a quilt fabric store, so you'll get square cuts.  Often the bargain and discount stores are rushed or don't have employees trained to cut fabric on a square 90-degree angle.  Why does that matter?  You'll want to rip some strips, and you will lose the use of a lot more than just an inch if the cut is off.

Get a half-yard of fabric from each bolt, and get thread. 

At home, snip the selvedge and strip that off of each piece.  Now go in about an inch from the edge of fabric, and snip it at the fold so you can rip right down the edge to give yourself a true and straight ripline.  Measure four inches in, and snip/rip again.  Measure four inches and snip/rip again.  Do this till the last one... it might not be square.  Start yourself a "bone pile" in the corner of the floor in case you do need part or all of it later.

Repeat this step for all 9.  You'll end up with a bunch of piles of strips, so sit down at the machine and randomly seam them together, about as long (or about as wide) as you want your middle "bricks" to be.

Do you want bricks going across?  Or down?  Choose your direction and start sewing the strips together.  You'll end up with a rectangle about the size of the middle 'brickey' part of this quilt.  If your edges are not square, trim those neat.

Now go back to the store.  Pick 4 contrasty colors.  I got 3 yards, 2 yards, 1 yard and 1 yard, but that's too much.  Why did do that?  Because 3 yards is longer than any quilt stirp and saves me from having to seam the longest pieces.  Call it lazy.  Or call it 'adding to my stash of fabric.'  You never know when you'll want to make matching pillow cases.

There are 2 tricky advanced techniques on this otherwise super quick and supersimple quilt....
1.  Prairie Points
2.  Flat Folded Trim
You can skip these if it is your first quilt, or read tomorrow's blog for more "how to."

Have I given you enough basics to set yourself free to just start sewing pieces together till its big and beautiful?  That is how I quilt... with little regard for standard sizing.  I want a quilt big enough to cover the edges when we are snuggled in on a cold winter day.  I want a quilt that is not so very long that its weight would pull or work its way to the foot of the bed if we're underneath it.

These are basic instructions for a quilt top in a day or two.  More later on the details, such as batting, backing, binding, etc.

Monday, November 8, 2010

Making Do

Plaster and Glaze Wall Treatment
Since 2005, we've lived in this small country cottage in rural Adair County, Oklahoma just outside town from the county seat of Stilwell.  Stilwell has under 5,000 residents.  Our bedroom walls were done in 1970s wood veneer panelling of fine quality.  But there is something about those panelling stripes that made us feel like we were sleeping in pinstriped pajamas.

Last week with the help of a friend, Dave Holbrook, we plastered over the panelling with plaster-looking texture, and primed it with a pinkish terra cotta colored paint.  We added a dark green glaze to knock down the starkness.

This photo shows one of the finished walls.  It was taken under incandescent light, and has an amber tint to the photo which is actually more salmon or peach in color.

I was happy to 'make do' with new texture and color rather than moving to a bigger newer house.  We paid off our mortgage this Spring and do not have a hefty mortgage payment burdening us during these uncertain times.  Sometimes little pleasures are the best.


Saturday, November 6, 2010

Sweet Gracie Piddlewhiskers

Sweet Little Gracie Piddlewhiskers, Selkirk Rex Breed


Sweet Gracie Piddlewhiskers has an announcement.  She will be having some darling little grey blue curly babies, about the second week in December.   Gracie is registered with CFA and the father is Route 66 King Arthur of Piddlewiskers & Snugglesworth.  He's a big lilac British Shorthair of international grand champion ancestors.  This is her first litter, and she's sort of clued-in to the fact that something is brewing in her tummy.  She's very affectionate.  She's always looking for yet another nest, and has about 5 ideal suitable locations scoped out for December.

Kittens will be sexed and typed by Christmas, but will be ready to leave home around Valentine's Day.  If you would be interested in a show, breed or pet kitten, contact me at ktibbits@lrec.org , so I can let you know more as the news develops!

Sunday, October 17, 2010

Farmers Market 1900

This is probably a street scene from Oklahoma City in 1900 of the early days of Farmers' Market.  See how vendors park along the street and offer their products for sale to passers by?  Robert Waldrop shares this image which he found online.  It appears to be hand-tinted from a black and white original.

You can check out the farm-direct sales of the modern day at http://www.oklahomafood.coop/ .

Friday, October 15, 2010

Finding the Warrior's Path

Finding the Warrior’s Path

30 years’ Evolution of Environmental Strategy

By Kathy Carter-White Tibbits



In 1986 a 30,000-pound uranium hexaflouride tank ruptured spewing radioactive gas over the surrounding countryside near the town of Gore in the Cherokee Nation, killing one worker and injuring others. Native Americans for a Clean Environment was already trying to get the NRC not to let that operation expand. Back then, we had weekend weekly demonstrations at the plant gate. We had a summer camp-in and activists from Greenpeace and National Toxics Campaign came from other states to support NACE and local groups, camping in the gritty dusty bar ditch. That radioactive gas cloud accident marked the beginning of the end, but by then, people had gotten cancer. The neighborhood turned into a ghost town. When so much visible harm had been done, finally the regulators heeded.



Four years later, ecoLaw Institute was formed, with the mission to “speak for the creatures who cannot speak for themselves.” We understood that our work was to protect the weak spots in the circle of life, and to use legal options where they existed. We talked about this notion of a “Constructive Trust” as an idea that we wished were in the United States Constitution—that the people are stewards, holding precious something that Creator gives everybody, on the condition that we not waste it and we treat it with respect. That came out of an idea from the 1970s when some lawyer asked, “Do trees have standing?” meaning “Do trees have rights?”



One of the things ecoLaw did was in helping the Illinois River by going to the United States Supreme Court, to say “Its wrong to take care of your front porch and not your back yard.” Fayetteville, AR wanted to send all of its sewage down the Illinois River. STIR--Save The Illinois River--- had a team of volunteer attorneys headed up by none other than former US Congressman Ed Edmondson who was retired and happened to have a cabin in the watershed. His kids grew up on that river. With his fearless determination and hard work we fought it. He died while it was on appeal, and that is when Julian Fite stepped up and took over the lead on that battle.



We employed a strategy that we had used in the Sequoyah Fuels case:  Tetra.   Every little neighborhood formed its own community group, such as Warner Area Residents Association and Carlile Area Residents Association. I think we had over 20 intervenors in Sequoyah Fuels, and we would actively spend some time on the phone building a coalition with wildlife groups like Oklahoma Wildlife Federation, Sierra Club and others.



Likewise, when we were going to the Supreme Court, we found allies such as CASE (Carrie Dickerson’s group), City of Tahlequah--- and we said, “If you will join in for our side, we will find an attorney to submit a Brief Amicus Curiae on behalf of your organization. We had many Amicus briefs, and Fayetteville started finding their own allies so it turned out that a lot of cities and states and conservation groups and downstreamers and recreation groups weighed in on it.



Almost everything I have talked about has been about dealing with a spiritual issue in a very different arena, where you don’t even talk about that aspect of it. And just personally--- I don’t know it may seem different to each of you--- there is kind of a heavy weight and high stakes to some day be able to feel like you have kept things a little bit more in balance between humans and creatures—because they are not objects or game pieces for sport killing.



So, imagine this. You walk into that huge, gleaming white United States Supreme Court building. There the lawyers wear this traditional garb like tuxedo jackets with tails,  not too different from our Cherokee Greatcoats. There will be a hundred or more people in the room. And half are lawyers, probably the other half reporters. (I saw Koki Roberts or Nena Totenberg in the press gallery, I forget which one.) And it seems so gigantic and you feel so small and humbled. There on the right end is Clarence Thomas. You recognize the Justices from seeing their picture, and from reading a lot of their opinions. They are just a handful of robed people, in big chairs on a high platform and a single long arcing U-curved bench, with so much fate in their opinions.



Arguments begin, and a speaker would utter a few words then the Justices would jump right in and interrupt asking tough questions that would take the presenter far off track. I didn’t speak, but I did stand and take the oath, becoming licensed to practice before the United States Supreme Court that day , receiving a rare honor that not all attorneys have achieved.  I had written some of the Briefs.



So, later on we found that we had kinda won and kinda lost in that Fayetteville case. The court made a key pronouncement: Upstream states have to take into account the impact on downstream states and meet their ‘water quality standards’ for the designated beneficial use of that waterway. Or, in other words, they could put treated sewage into the Illinois but had to really do a fine job of cleaning up the water so it wasn’t any worse.



The 1970s is when all of this cleaning up the water began, with NEPA and the Clean Water Act. Or, if you want to go all the way back, it began with the first laws saying you can’t make navigable waters impassable by leaving sunken boats there or dumping garbage if it keeps boat traffic from being able to move.



Cherokee people have always had our connection with waterways. Canoes were our transportation—upstream and down. The best I can tell from derivative sources, there were Cherokees as far away as Virginia area at first and those ones used ocean canoes and had good ways of making dried fish for winter food. By the time it started being put down in writing, our Cherokee towns were sited by rivers. Our purification ceremonies involve water. We sort of have an appreciation for how water flows to us, and away from us. To me, that is a connection with everything upstream and everything downstream. It is a connection to the soil and caves that water runs through before it trickles to where the minnows are. And to all the creatures who drink water, swim in water, eat leaves of trees that absorbed water. To me, that is a sacrament. Water connects us to everything living, and makes everything a part of everything else. So, personally, seems like it would be good to not let a big wave of monoculture, like chicken poop from huge 40,000-bird CAFO operations, flood the delicate balance of natural purification of water.



Hunter Lovins wrote a book called Natural Capital saying that there are 3 kinds of capital in the world: Dollars, Manpower, and Nature. Money is a token or symbol of trade and it is mobile. You can get it by selling shells for beads and take it to Walmart and get mangoes from Mexico far away. Manpower is another kind of “human capital” and she is talking about the ability to make things happen—everything from manufacturing to habitat restoration where you put the natural-looking rocks next to the streambank to buffer erosion where your soil dissolves. And then there is Creator’s capital: Nature. Natural resources. Timber. Woodland.



Individually, one cane stalk growing by the Arkansas River may not seem like capital. But consider this: Canebrakes scrub the silt and settle the silt and filter the water and create a catch-net for nutrients as they float suspended in the water. If they are in the water, you might find that crawdads go there because it is some place to get food. Sort of like a McDonald’s. And soft mud makes a nice place for frogs to make a winter sleeping nest. Hunter Lovins is saying that if we were to have to ‘do’ everything that natural in-place ecosystems do, it would quickly take up an unimaginable amount of money. If you paid for every rock on your land by buying it, bought every blade of grass, landscaped every drainage route…. That would cost a fortune. That would be like Disneyworld. Very expensive. And sometimes, we humans don’t even have the knowledge to do Creator’s work--- because think about how complicated and complex and interdependent everything is. In my yard, Japanese Beetles swarm onto one apple tree to mate. They eat so many leaves that the tree gets sick. It just has dinky apples, so I don’t gather them. The deer that lives nearby knows that the apples will be there, and she brings her fawn to eat them. It happens most years.  You could say that all of those beetles make it possible for the deer to get food. I have learned about traps that are used to put a stop to beetles like this. But everything we do has an effect on everything else. Aldo Leopold says it kinda like, “If you pick up anything in the world you will find that it is connected to everything else.”



I believe that we live in a robust, self-correcting and self-balancing natural world. If we are considerate about not taking too much, then we have Creator’s blessing and the price we pay for it is appreciating our lives and getting to be a part of something that cool, awesome and amazing. We are a part of the natural system around us. Besides not wasting, we can go a step further and show our gratitude by making a place for intact biologically diverse natural systems. (See, I have lapsed over into speaking the language of science here. It is the strategic language being spoken by those who are making gains within governmental and policy circles.) We can foster healthy systems--- and that does not always mean systems where we take away pieces and turn them into money, as in logging or city water systems.



Over the years, I changed my approach to how to do things that I thought were important for the natural world. Used to be, only the environmentalists protested. Today you see people protesting for selfish reasons like lower taxes. I think a strong environmental protest movement, locally anyway, came from folks in the American Indian Movement locally, who got it from AIM nationally, where it grew out of the Civil Rights Movement that began in the 1960s. We made prayers at the gates of Sequoyah Fuels. Some people chained themselves to bulldozers at Black Fox and 360 people voluntarily were arrested on October 6, 1978 or 1979. We chose Mother’s Day to bring a drum circle to the nuke plant. A lot of the NACE activists early on had also been AIM activists on the national or regional scene.



Over the years, I kept wondering how to beat the common wisdom of a popular Sierra Club quote: “Our victories are always temporary, our defeats are always permanent.” Can you imagine what it would be like to wake up every morning and think, “Gotta go to work. Because our victories are always temporary and our defeats are always permanent.” We had a lot of burnout. There was never enough money. We were all struggling to live just at the most basic level. We were being depleted and used up because we could see the needs in vivid detail. And we were throwing ourselves and our lives at some of these problems, hardly making a dent in it. Yet, we had a lot of camaraderie. We were dedicated. We would loan each other gas money. I’d help activists with legal problems, like debt issues. And in our gatherings, whomever could would make up a big pot of beans for everyone and we’d share meals. We would set our kids underneath the Board Table and hold board meetings with them playing down there, while the bigger ones developed friendships and would run around playing games of chase outside. It was our world. It was our whole world.



But the price is burnout, because society rewards certain behaviors, and it does not reward other behaviors. Families would split up because there was not enough money. People would get frustrated and stressed and depressed and go off to take care of their needs, thinking of the rest of us as obsessed with a futile mission. Bob Marley sings, “Good friends we had, and good friends we lost along the way.”



I think back on the fights inside the movement—people would want to employ different approaches and some would not agree. A big huge rift in the Black Fox fight took place between CASE and Sunbelt Alliance. Citizens Action for a Safe Environment was under the strong leadership of a tireless persistent dedicated Carrie Dickerson, who mortgaged her farm to stop the nuclear power plant from being built near Inola Oklahoma. She believed in the legal system.



Sunbelt Alliance was a coalition of about 400 mostly college students from across the state. I was in the Norman Chapter. The Tulsa Chapter had a couple of strong leaders who wanted to make a demonstrative statement and get a lot of press: Chaining themselves to bulldozers, trespassing, etc. Civil disobedience, some thought, would be the best way to achieve the goal.



Today, rather than fighting internally, a better approach is for groups like these to each take a different approach to reach the same result. When we try to budge something as big as the energy industry, it may take pushing from the back and also pulling from the front. As a strategy, consider whether everyone can approach the issue like a pack of wolves from different directions and a common ultimate goal.



Sometimes, activist burnout is going to happen. Hold your friends dear. People lose their way. Jessie DeerInWater used to say, “You bring people along as far as you can. Sometimes it becomes someone else’s work to take it from there.” This type of work that we care so much about, sometimes leaves us exhausted and in pain. We lose our inspiration and need to heal and take care of our own needs. And even if someone can never come back to it, they have the seed of it in their heart. Those are the people who will spread the message and take the idea into a whole different world. We can’t just be insulated superheroes, because for an idea to grow it has to be broadcast everywhere and some of it will find fertile soil.



Another thing to share is about creating a wide circle of gratitude. For every person who gives a lot of time and energy and care, there are half-dozen people on their support team in the background making that possible. It isn’t just the folks you see in one room who are ‘the movement’ toward a better way of our human relations with nature. Somewhere there is a wife or husband supporting the work. They may be making the family’s money or buying the gas. Someone is feeding people. Someone else is working on a quilt that shows up as a raffle item. Some kids are being a father’s inspiration for why he wants things to stay in balance. Some grandmother is babysitting. Some sister is filling in for that warrior’s role in caring for parents, etc. It is a much bigger circle of support than we realize. Those are supporters too. And we should each feel grateful for our network of support.



And we should appreciate each other, because we never know what sacrifices or hardships made possible the seemingly most inconsequential participation. Once, I needed to attend hearings at ADPCE, Arkansas’s environmental department. Back then, I was spending so much time on environmental work. I wasn’t making very much money for luxuries like a motel room. So I camped on the bank of a river on my way, and got up early to continue on, sprucing up for the hearing at a gas station along the way. It was February and I had this one nice thing—a blue down sleeping bag, that I ended up using for decades. But it was cold. Something crawled underneath my tent. I could hardly rest—the ground was so cold it would wake me up. That’s just the kind of crazy determination it took.  There were not grants back then.  I'll never forget the time it was cold in winter and my gas had been shut off and I was typing in a room so cold that my fingers would get stiff, then in walks Doris Gunn of Muskogee and she wrote out a check for $200 and it seemed like all the money in the world to me.  It made it possible to go on. 



So over the years, I’ve tried to figure out other ways to make my work more permanent, sustainable, impactful and leveraged. I thought working in tribal government would be a way to take a top-down approach in helping things to be better. And that is a good way, because policies have mass, have money, have implementation legs, and have longevity. At Cherokee Nation I started the Cherokee Small Farm Project as a sort of  'soft place to land’ for farmers who might want to get away from the chicken monopsony, because those producers have to sign away their financial independence in order to sell into the Big Chicken market, and the integrators use economic duress to make them operate their CAFOS based on money principles that sometimes keep them from doing the right thing with chicken waste. Then Cherokee Small Farm Project became instrumental in starting up the Oklahoma Food Coop so sustainable and organic farmers could have a direct market to buyers and not have to go thru corrupt corporations that don’t have environmental ethics.  There was a cascade effect.



And making a bigger impact brings me to my sales pitch for the Greenway of the Cherokee Ozarks. Last winter while I was working for Cherokee Nation Environmental Protection Commission, Blue Sky Water Society’s Myra Robertson and Cherokee Nation Community Services development facilitator Steve Woodall came to talk about a technical assistance grant awarded for The Greenway of the Cherokee Ozarks. It would be a long corridor from I-40 up to State Highway 412. It would stretch down the Illinois River, encompass Lake Tenkiller, go to Cookson Wildlife Management Area, add Sallisaw Creek, include Brushy Lake and continue on down to Vian. It would include the conservation areas along that way, and the recreation areas. It would some day eventually link up all these great places with wildlife corridors, with cross-country biking trails, with hiking trails and pedestrian commuter transportation routes. Then kids could be “free range” again. Kids could play and explore some where on public land even if they didn’t have a big yard. People could get exercise around nature instead of in a building, enjoying fresh air and seeing the seasons. It would rekindle their connection to Creator's world.  Tourists would come and bring dollars, and maybe less people would have to be peasants to chicken colonialists. Elders would have plenty of places to find just the right medicine plant. Artists would have reed and cane and dye plants. Grandparents could take their little ones and tell them the Cherokee names of everything that Creator has given us, and what it is for. This Greenway of the Cherokee Ozarks would be so big, that if someone tried to put in a nuke plant or spew out sewage or load it up with chicken CAFOs, they would have to go so far away from the river that we’d have a protective buffer against those things.



So, in September of this year we brought together everybody we could get, to say, “Do we want to do this?” There were government agencies like US Fish & Wildlife Service and National Park Service. There was someone from the state Recreational Trails grantmaking program who said she would help. One couple who lives by the river said, “We’re retired journalists, and we’ll help with Public Relations.” Someone else said, “Green Country Cyclists will help with trails.” We had maybe 50 volunteers, and now, today it is a challenge just to help in coordinating the work groups and their members. But we have said, “If you people who want to work on a subject together would like, please form yourselves into some type of work group and give your input, as we plan the Greenway.”



We have maybe 10 or 12 core Planning Team members who’ll mesh it all together and --- here is the Alter Call--- you are invited to be a part of the Greenway of the Cherokee Ozarks in whatever capacity you may feel called to do so. We need clerical typists, web geeks, grantwriters, speakers, and more. Your skill, whatever it may be, is exactly what we need right now. Because if you want to do this, you are here for a reason. It is going to take thousands of hours by hundreds of people to create the Greenway of the Cherokee Ozarks.  It is a collaboration and it will be whatever we make it.  Nathaniel Batchelder once said this, about working to elect a good man to office, and it applies to all work that is truly grassroots:  "We all just put our little work into one big pile and it adds up."



Does creating a Greenway solve everything? No. It isn’t a complete solution. Will we see quick results? No. It is probably a slow process to get buy-in from such a far-flung and diverse bunch of leaders capable of making it happen. But when it happens it will be big. It will be sustainable. And it will be satisfying.



My son Justin White was a Wildlife student here at Bacone, and my step-son Ry Thompson was watershed planner for City of Portland. I used to joke that I deserved to retire from environmental work because I had replicated myself for the next generation, and they were “fresh horses” for the movement. But when I think about something as big as the Kerr Navigation System except in the context of wildlife conservation and recreation and cultural preservation in the Cherokee Nation, it seems to me like that is one of the ways that we can honor a big commitment back to Creator in thanks for all of the air that we breathe and all of the water that we take in, and all of the land that we use. Not that it is an ultimate balance such as everyone on Earth finding the right way to live every single action prayerfully and respectfully, appreciatively and harrmoniously with all of the other creatures that are also beloved. But, its something.



To help with Greenway of the Cherokee Ozarks, reach Kathy Tibbits 918 696-3175.



STIR Illinois River Fest

Saturday October 16, 2010, from 12 noon to 6 p.m., don't miss the Illinois River Fest taking place at War Eagle Camp off of SH10 on the Illinois River near Tahlequah Oklahoma.  Our band, usually Tibbits & McCracken, will be there playing at 3... minus the McCracken I do believe.  However, we'll make up for it by possibly inviting along Dan Garber and Wes Combs to fill in, for some rollicking Bluegrass tunes as well as our usual more diverse reportoire.

Two songs we're sure to do are Chicken Poop and Tale of the Big Chicken.  The former is a well-known and beloved local sing-along which we've performed at least a hundred times live, and which is memorialized on a single song CD and an album called Songs For The Illinois River.

Tale of the Big Chicken is a newer one, performed at the STIR 2010 Annual Membership Meeting in June before the song's subject and hero, Marshall Drew Edmondson.  The ballad takes a Marty Robbins flair as it describes a cute little farm creature that grew bigger than a man, with a beak of gold and a smug attitude-- and if you tried to cross him, he'd crush you like a bug.  The ballad tells how the local townspeople to the west called on Drew to help save them from a smelly mess, thence a showdown takes place on the streets of Tulsa with the lawman and Big Chicken both trying to outdraw the other.  It is a song with a moral, and a punchline. 

NSU and STIR sponsors the Illinois River Fest-- an event which is great for children because it will feature just a boucoups of kid-friendly interesting activities.  20 booths will be packed with fun acitivities, educational stuff, and yummy food.  There will be field trips, and live animals from Sequoyah State Park and Wildlife Sanctuary.   And there is more--- Rock climbing and river walks, Blue Thumb programs and free tee shirts to the first 200 children attending.

For the parents, there will be live music all day so bring lawn chairs or a blanket to stretch out on the ground.   Visit http://www.oklahomascenicrivers.net/

Thursday, October 14, 2010

Water Tees

See the sleeve at the upper righthand side?


I recently finished about 30 or so Water Tees.  These are tiedye shirts in plain cotton that I've dyed to look like water.  In this series I wanted to give the impression of looking into water.  The bottom of the shirt is at the lower end of what you see, and the top of the shirt around the neck is at the top of the pic.

I like doing multiple shirts in one design becaue it gives me a chance to learn and refine my techniques, getting ever closer to the visual I am trying to master.  Wish I could post 30 pics here.  Water tees are available by special request.  Because I use less-expensive tees for most of my shirts, you may have to wait or give me the shirt you'd like heavier weight shirts (midweight) were used for perfecting this design.

On Facebook, my friends voted for this design as most popular when asked to like the shirt that looked the most like water.  Facebook Water Tees Album

Wednesday, October 13, 2010

Just One More View of Blue Sky Water

Here is one more nice pic of Blue Sky Water Society's land near Marble City.  Blue Sky Water is heading up the idea of creating a Greenway of the Cherokee Ozarks which would link conservation areas from I-40 up to SH412 in a vertical corridor.  This view looks off to the West.

Blue Sky Water is hosting an all-day Harvest Moon Festival on Saturday October 23rd at its cultural grounds.  This is a friendly zone for adults and children.  There you will find traditional Cherokee activities taking place, and you can participate or watch demonstrations.  There will be basket making hosted by Cherokee Living National Treasure Betty Frogg.  The men and boys may like to watch and perhaps learn flint knapping (making arrows) and watch the making of a traditional Cherokee longbow.  Guys will also see and maybe try out their own skills in tieing fishing flies.  Come and learn about natural medicines.  You can taste traditional foods.  Little ones will be bobbing for apples, and getting their faces painted.  And for the gusty ones, a seed-spitting contest.  ...This and more.

Events begin at 10 a.m. and will run thru till evening.  Directions:  From Tahlequah Oklahoma take the Cookson Game Reserve Road toward Marble City and just before you get to Marble City School you will see the entry, marked by flowers, balloons and or bales of hay.  Everyone one is welcome.  Activities and food are free.  And did I say that Dennis and Kathy Tibbits (that's me) will be performing music?  Bring friends and a lawn chair, and plan for just about any kind of weather.